Listen to one of my favorite designers and his unique approach.
There is fresh fury over revered artist, Banksy and his take on the colossal 2012 Olympics. You be the judge. As the Guardian paper recently posted:
“This attack on one of contemporary London’s most renowned traditions reveals how deeply uncomfortable the cultural relationship between this city and the Olympics really is,” writes Jonathan Jones in The Guardian. “An event that is all about massive finance, colossal scale, hyper-organisation and culture delivered from above is being superimposed on a capital that happens to be best at improvisation, dirty realism, punk aesthetics and low art. It’s like Versailles versus the sans-culottes. And this time Versailles is determined to win.”
Although it has opened to mixed reviews, there is no question the skyline in London has changed dramatically with the new 310m high Shard building by starchitect, Renzo Piano. Western Europe’s tallest building, it is a vertiginous vision of gleaming glass with the inclusion of the UK’s first Shangri-La hotel alongside residences, office space and the top floors designated for public viewing. A dynamic addition to the centrepiece of futurist architecture that is the city center. See TheShard.com